Search results for "Musical Performance"
showing 6 items of 6 documents
Global functorial hypergestures over general skeleta for musical performance
2016
Musical performance theory using Lagrangian formalism, inspired by physical string theory, has been described in previous research. That approach was restricted to zero-addressed hypergestures of local character, and also to digraph skeleta of simple arrow type. In this article, we extend the theory to hypergestures that are defined functorially over general topological categories as addresses, are global, and are also defined for general skeleta. We also prove several versions of the important Escher Theorem for this general setup. This extension is highly motivated by theoretical and practical musical performance requirements of which we give concrete examples.
Per un’etnomusicologia storica del Vicino Oriente antico
2018
Ressenya
De la performance musicale dans la Guyane traditionnelle : expression cognitive singulière d?une musique-verbe
2021
Guianese culture and traditional music, here evoked, are various. It is more a transcultural process that, along centuries, gave an original result born in the Americas, in Guiana in this case. It is a form of refoundation, of recreation of cultures and new human beings generally called Creoles. The musical performance, that I study here, is the echo of social and cultural space of this reformulation of thought, life, and conception of the world. It is, as well, a mean of transposition and transformation of the values issued of diverse sources and categories. It is in no way a second-rate cultural practice, as it is the place where were born philosophies and actions for common life as well …
Rozwitok fachowo znaczuszczych jakostej osobistosti majbutnowo wczitela y procesi chudożno-integracyjnoj dialnosti
2018
Musica sbagliata
2020
Our paper examines the errors made by composers and book-makers in 16th- and 17th-century Italy. Errors made by composers were denounced by other composers, through the diffusion of written censures, or during public challenges in the presence of judges and witnesses. Errors made during the printing process can be found both in the paratext (forgotten or inverted letters and numbers in the title page) and in the text itself (omission of alterations or mistaken notes and words). Our paper ends with a discussion of errors and misunderstandings made by performers and listeners, including both those contemporary to the music, and others committed in modern performances of early music.